Michael Magoolaghan


A Map

     
     Afours, forementioned, periphery.
     Accountable to doom, mention bliss,
     graze after.  Graze belly graze thigh
     awash adrift or aimless
     down tall roads.  Accountable suffering
     transposed, a pure music, "A" minus A.
     The sun over rooftops, a purity
     in pigeon-coo or prayer.  Relax
     to pause painless, in the grip of acupuncture
     or release.  Wave, painless duo
     (accompany), failsafe release, a floor.
     No problem for the painless (haze),
     "a pure exclusive music" like a saint.
     Theresa, Godiva, compadre
     & fast raids, at the border of
     failsafe or release (exclusive).
     Moments rebound or renounce, the dog's
     happiness which elicits
     Loretta.  Accompanied alone as in
     a capella, false note, too much salt
     for the soup.  Active, engender, meet eyes
     over haze, the doing or object, fat chance.
     What we gaze on we believe
     unless it's perilous to repress.
     A working metaphor, fields to mend.
     Or:  dark gypsies in the folds, Lorca's
     aerial concern, this no discipline
     of reeds & hence heavy.
     Peter's (Simon's) Russian crosses,
     the mount they cross to to get alone.
     Can't see the cove for the woods, etc.,
     leave me to etch glass (broken), Shelley slash
     Don, virtual Armenian symphonies (sourma
     or -mough), grape leaves stuffed with rain.
     Afield in the feeling out
     of other language, tears tied
     to the same bed, a reversal.
     The unmentionable word in public
     or tender arches, regions where the heart
     hails.  When everything's said (erase),
     she pushed his panic button (belly)
     stretched & white (sheets).  Or, upward
     thrust, "nice ceiling" sticks in the mind
     as time sleeping, she wanted the clock to ride
     but does it?  An interesting question,
     considering the depth of any canyon
     hiked jointly or alone.  Knowing it is good, alas,
     to engender nothing: music, gesture, blotto, X.
     


Copyright © 1996 Michael Magoolaghan

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