John OlsonCurtainsWhen I undrew my curtains in the morning, I was much affected by the beauty of the prospect, and the change. - Dorothy Wordsworth The pleasure of a curtain opening to the trial of wind is particles of air in motion. There is the hurt government of an octave to rake into narration, a point to link to some tempest of roots. The thundershower is a guerilla of homiletic cabbage. The drip of endorsement. Rimbaud painted thought with bees. Aluminum deer now graze at the edge of the canyon in a light bulb of beautiful fog. Can you trust this poem to drip into gneiss & make you rich with revelations of width? I don't know but it's getting narrower as it gets wider & shorter as it gets longer & there is the preface to a feeling migrating toward the shadow of Wednesday. Thursday is a transcendental experience within language, an iris dilating into dill. The coconut is a thesis of meat & fluid, a sea of referential aberration. Above all language stands between man & a vast indefiniteness of veins in the scrotal sac of philosophy's lens. There are, times I feel feet are signs of walking, & then I run to an aesthetic like De Quincey's The Pains Of Opium, or a pile of dimes for the parking meter. What exactly is the point of space? Speech is an energy like the afternoon suffused in a length of curtain lie breath assembled in pleats, a tongue of sleep on the silt of a tone of Wyoming in folds of money & Precambrium copper, water dissecting rocks into states. An amiable face divisions incisions, precisions of pleats, sacks of peat, petals the velocity of eyes in folds of cloud unfolding a hill Copyright © John Olson 1995 |
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