John Olson


Mutiny on the Borborygmus

     
     There is the moiling hiss
     of harbor brine at the side of the ferry, Jean Paul Sartre
     
     at the bow refusing all forms 
     of "bourgeois stupidity." But what is 
     bourgeois? Is it a Bordeaux? A bordello? A borzoi? A borough or a type 
     of bottle? What's a bouton? A bowsprit? A Brahmin or a blood bank? Need 
     is simple. It is easy 
     to figure out need. Need is a macaw 
     perched on your shoulder, that loud raucous caw 
     a piercing reminder
     
     you need a job, or you need 
     to quit your job, so you can get another job 
     to quit, & look for another job
     But O, isn't it lovely to gaze at an apricot 
     some idle afternoon, & study
     
     the curve of the jaw 
     of an adobe bubble 
     as it emerges from a Mozart sonata 
     when you least expected
     
     the phone to ring. The eye is a large pool of water 
     Let us say lucid. It is a lucid 
     pool of water. Or do you prefer limpid? 
     Well then. Let us say
     
     it is a large pool of words. A perspicuity 
     like a thumb. It is, in fact, very much like a thumb 
     & not at all like a thumb. It is whatever 
     enters the picture. It is the natural flex
     
     of a leather glove, the largest 
     vein of an insects wing. It is anything 
     mobile or floating or coiled or scientific
     
     it is anything but a job 
     because a job isn't natural 
     or specific, a job is a vague 
     displeasure, a poorly defined 
     tedium.  Work
     
     & play are words used to describe
     the same thing under differing conditions 
     said Mark Twain who obviously 
     didn't have my job. Everything 
     in life is open to interpretation, & a job is a mood 
     like a basement
     
     full of broken glass. Oh stop your grumbling 
     somebody with a job
     
     cleaning blinds might say. Which is why I want a job as a metaphor 
     in a poem by Pablo Neruda, a thread of light impertinent as a thumb
     

Copyright © John Olson 1995

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